Baudot code

MTK-2
Language(s)	Russian
Classification	5-bit stateful Russian Cyrillic encoding
Preceded by	Russian Morse code
Succeeded by	KOI-7

ITA2 Baudot–Murray code
	British variant of ITA2
Alias(es)	International Telegraph Alphabet 2
Classification	5-bit stateful basic Latin encoding
Preceded by	ITA1
Succeeded by	FIELDATA,; ITA 3 (van Duuren code),; ITA 5 (ISO 646, ASCII)

Baudot code (ITA1)
	An early version from Baudot's 1888 US patent, listing A through Z, t and ∗ (Erasure)
Alias(es)	International Telegraph Alphabet 1
Current status	Replaced by ITA2 (not mutually compatible).
Classification	5-bit stateful basic Latin encoding
Preceded by	Morse code
Succeeded by	ITA2

An early "piano" Baudot keyboard

The Baudot code [boˈdo] is an early character encoding for telegraphy invented by Émile Baudot in the 1870s.^[1] It was the predecessor to the International Telegraph Alphabet No. 2 (ITA2), the most common teleprinter code in use until the advent of ASCII. Each character in the alphabet is represented by a series of five bits, sent over a communication channel such as a telegraph wire or a radio signal. The symbol rate measurement is known as baud, and is derived from the same name.

History

Baudot code (ITA1)

In the below table, Columns I, II, III, IV, and V show the code; the Let. and Fig. columns show the letters and numbers for the Continental and UK versions; and the sort keys present the table in the order: alphabetical, Gray and UK

Baudot code (Continental and UK versions)
Europe							sort keys		UK							sort keys
V	IV			I	II	III	Continental	Gray	Let.	Fig.	V	IV	I	II	III	UK
							-	-								-
		A	1	●					A	1			●
		É	&	●	●				/	¹/			●	●
		E	2		●				E	2				●
		I	o		●	●			I	³/				●	●
		O	5	●	●	●			O	5			●	●	●
		U	4	●		●			U	4			●		●
		Y	3			●			Y	3					●
	●	B	8			●			B	8		●			●
	●	C	9	●		●			C	9		●	●		●
	●	D	0	●	●	●			D	0		●	●	●	●
	●	F	f		●	●			F	⁵/		●		●	●
	●	G	7		●				G	7		●		●
	●	H	h	●	●				H	¹		●	●	●
	●	J	6	●					J	6		●	●
	●	Figure	Blank						Fig.	Bl.		●
●	●	Erasure	Erasure						*	*	●	●
●	●	K	(	●					K	(	●	●	●
●	●	L	=	●	●				L	=	●	●	●	●
●	●	M	)		●				M	)	●	●		●
●	●	N	N°		●	●			N	£	●	●		●	●
●	●	P	%	●	●	●			P	+	●	●	●	●	●
●	●	Q	/	●		●			Q	/	●	●	●		●
●	●	R	–			●			R	–	●	●			●
●		S	;			●			S	⁷/	●				●
●		T	!	●		●			T	²	●		●		●
●		V	'	●	●	●			V	¹	●		●	●	●
●		W	?		●	●			W	?	●			●	●
●		X	,		●				X	⁹/	●			●
●		Z	:	●	●				Z	:	●		●	●
●		t	.	●					–	.	●		●
●		Blank	Letter						Bl.	Let.	●

Baudot developed his first multiplexed telegraph in 1872^[2]^[3] and patented it in 1874.^[3]^[4] In 1876, he changed from a six-bit code to a five-bit code,^[3] as suggested by Carl Friedrich Gauss and Wilhelm Weber in 1834,^[2]^[5] with equal on and off intervals, which allowed for transmission of the Roman alphabet, and included punctuation and control signals. The code itself was not patented (only the machine) because French patent law does not allow concepts to be patented.^[6]

Baudot's 5-bit code was adapted to be sent from a manual keyboard, and no teleprinter equipment was ever constructed that used it in its original form.^[7] The code was entered on a keyboard which had just five piano-type keys and was operated using two fingers of the left hand and three fingers of the right hand. Once the keys had been pressed, they were locked down until mechanical contacts in a distributor unit passed over the sector connected to that particular keyboard, when the keyboard was unlocked ready for the next character to be entered, with an audible click (known as the "cadence signal") to warn the operator. Operators had to maintain a steady rhythm, and the usual speed of operation was 30 words per minute.^[8]

The table "shows the allocation of the Baudot code which was employed in the British Post Office for continental and inland services. A number of characters in the continental code are replaced by fractionals in the inland code. Code elements 1, 2 and 3 are transmitted by keys 1, 2 and 3, and these are operated by the first three fingers of the right hand. Code elements 4 and 5 are transmitted by keys 4 and 5, and these are operated by the first two fingers of the left hand."^[7]^[9]^[10]

Baudot's code became known as the International Telegraph Alphabet No. 1 (ITA1). It is no longer used.

Murray code

Paper tape with holes representing the "Baudot–Murray Code". Note the fully punched columns of "Delete/Letters select" codes at start of the message (on the right); were used to cut the band easily between distinct messages. The message then starts with a figure shift control followed by a carriage return.

In 1901, Baudot's code was modified by Donald Murray (1865–1945), prompted by his development of a typewriter-like keyboard. The Murray system employed an intermediate step; a keyboard perforator, which allowed an operator to punch a paper tape, and a tape transmitter for sending the message from the punched tape. At the receiving end of the line, a printing mechanism would print on a paper tape, and/or a reperforator could be used to make a perforated copy of the message.^[11] As there was no longer a connection between the operator's hand movement and the bits transmitted, there was no concern about arranging the code to minimize operator fatigue, and instead Murray designed the code to minimize wear on the machinery, assigning the code combinations with the fewest punched holes to the most frequently used characters.^[12]^[13]

For example, the one-hole letters are E and T. The ten two-hole letters are AOINSHRDLZ, very similar to the "Etaoin shrdlu" order used in Linotype machines. Ten more letters, BCGFJMPUWY, have three holes each, and the four-hole letters are VXKQ.

The Murray code also introduced what became known as "format effectors" or "control characters" – the CR (Carriage Return) and LF (Line Feed) codes. A few of Baudot's codes moved to the positions where they have stayed ever since: the NULL or BLANK and the DEL code. NULL/BLANK was used as an idle code for when no messages were being sent, but the same code was used to encode the space separation between words. Sequences of DEL codes (fully punched columns) were used at start or end of messages or between them, allowing easy separation of distinct messages. (BELL codes could be inserted in those sequences to signal to the remote operator that a new message was coming or that transmission of a message was terminated).

Early British Creed machines also used the Murray system.

Western Union

Keyboard of a teleprinter using the Baudot code (US variant), with FIGS and LTRS shift keys

Murray's code was adopted by Western Union which used it until the 1950s, with a few changes that consisted of omitting some characters and adding more control codes. An explicit SPC (space) character was introduced, in place of the BLANK/NULL, and a new BEL code rang a bell or otherwise produced an audible signal at the receiver. Additionally, the WRU or "Who aRe yoU?" code was introduced, which caused a receiving machine to send an identification stream back to the sender.

ITA2

In 1924, the CCITT introduced the International Telegraph Alphabet No. 2 (ITA2) code^[14] as an international standard, which was based on the Western Union code with some minor changes. The US standardized on a version of ITA2 called the American Teletypewriter code (US TTY) which was the basis for 5-bit teletypewriter codes until the debut of 7-bit ASCII in 1963.^[15]

Some code points (marked blue in the table) were reserved for national-specific usage.^[16]

International telegraphy alphabet No. 2 (Baudot–Murray code)^[17]
Impulse patterns (1=mark, 0=space)			Letter shift		Figure shift
LSB on right; code elements: 543·21	LSB on left; code elements: 12·345	Count of punched marks	ITA2 standard	Russian MTK-2 variant	Russian MTK-2 variant	ITA2 standard	US TTY variant
000·00	00·000	0	Null		Shift to Cyrillic Letters	Null
010·00	00·010	1	Carriage return
000·10	01·000	1	Line feed
001·00	00·100	1	Space
101·11	11·101	4	Q	Я	1
100·11	11·001	3	W	В	2
000·01	10·000	1	E	Е	3
010·10	01·010	2	R	Р	4
100·00	00·001	1	T	Т	5
101·01	10·101	3	Y	Ы	6
001·11	11·100	3	U	У	7
001·10	01·100	2	I	И	8
110·00	00·011	2	O	О	9
101·10	01·101	3	P	П	0
000·11	11·000	2	A	А	–
001·01	10·100	2	S	С	'		Bell
010·01	10·010	2	D	Д	WRU?		$
011·01	10·110	3	F	Ф	Э	!
110·10	01·011	3	G	Г	Ш	&
101·00	00·101	2	H	Х	Щ	£	#
010·11	11·010	3	J	Й	Ю	Bell	'
011·11	11·110	4	K	К	(
100·10	01·001	2	L	Л	)
100·01	10·001	2	Z	З	+		"
111·01	10·111	4	X	Ь	/
011·10	01·110	3	C	Ц	:
111·10	01·111	4	V	Ж	=		;
110·01	10·011	3	B	Б	?
011·00	00·110	2	N	Н	,
111·00	00·111	3	M	М	.
110·11	11·011	4	Shift to Figures (FS)		Reserved for figures extension
111·11	11·111	5	Reserved for lettercase extension		Shift to Letters (LS) / Erasure / Delete

The code position assigned to Null was in fact used only for the idle state of teleprinters. During long periods of idle time, the impulse rate was not synchronized between both devices (which could even be powered off or not permanently interconnected on commuted phone lines). To start a message it was first necessary to calibrate the impulse rate, a sequence of regularly timed "mark" pulses (1), by a group of five pulses, which could also be detected by simple passive electronic devices to turn on the teleprinter. This sequence of pulses generated a series of Erasure/Delete characters while also initializing the state of the receiver to the Letters shift mode. However, the first pulse could be lost, so this power on procedure could then be terminated by a single Null immediately followed by an Erasure/Delete character. To preserve the synchronization between devices, the Null code could not be used arbitrarily in the middle of messages (this was an improvement to the initial Baudot system where spaces were not explicitly differentiated, so it was difficult to maintain the pulse counters for repeating spaces on teleprinters). But it was then possible to resynchronize devices at any time by sending a Null in the middle of a message (immediately followed by an Erasure/Delete/LS control if followed by a letter, or by a FS control if followed by a figure). Sending Null controls also did not cause the paper band to advance to the next row (as nothing was punched), so this saved precious lengths of punchable paper band. On the other hand, the Erasure/Delete/LS control code was always punched and always shifted to the (initial) letters mode. According to some sources, the Null code point was reserved for country-internal usage only.^[16]

The Shift to Letters code (LS) is also usable as a way to cancel/delete text from a punched tape after it has been read, allowing the safe destruction of a message before discarding the punched band.^{[clarification needed]} Functionally, it can also play the same filler role as the Delete code in ASCII (or other 7-bit and 8-bit encodings, including EBCDIC for punched cards). After codes in a fragment of text have been replaced by an arbitrary number of LS codes, what follows is still preserved and decodable. It can also be used as an initiator to make sure that the decoding of the first code will not give a digit or another symbol from the figures page (because the Null code can be arbitrarily inserted near the end or beginning of a punch band, and has to be ignored, whereas the Space code is significant in text).

The cells marked as reserved for extensions (which use the LS code again a second time—just after the first LS code—to shift from the figures page to the letters shift page) has been defined to shift into a new mode. In this new mode, the letters page contains only lowercase letters, but retains access to a third code page for uppercase letters, either by encoding for a single letter (by sending LS before that letter), or locking (with FS+LS) for an unlimited number of capital letters or digits before then unlocking (with a single LS) to return to lowercase mode.^[18] The cell marked as "Reserved" is also usable (using the FS code from the figures shift page) to switch the page of figures (which normally contains digits and national lowercase letters or symbols) to a fourth page (where national letters are uppercase and other symbols may be encoded).

ITA2 is still used in telecommunications devices for the deaf (TDD), Telex, and some amateur radio applications, such as radioteletype ("RTTY"). ITA2 is also used in Enhanced Broadcast Solution, an early 21st-century financial protocol specified by Deutsche Börse, to reduce the character encoding footprint.^[19]

Nomenclature

Nearly all 20th-century teleprinter equipment used Western Union's code, ITA2, or variants thereof. Radio amateurs casually call ITA2 and variants "Baudot" incorrectly,^[20] and even the American Radio Relay League's Amateur Radio Handbook does so, though in more recent editions the tables of codes correctly identifies it as ITA2.

Character set

The values shown in each cell are the Unicode codepoints, given for comparison.